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	<title>Comments on: TELEVISION POWER ELECTRIC 3  cd</title>
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	<link>http://blogs.arteleku.net/audiolab/?p=70</link>
	<description>Arteleku: soinu laborategia &#124;  laboratorio de sonido</description>
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		<title>By: Administrator</title>
		<link>http://blogs.arteleku.net/audiolab/?p=70&#038;cpage=1#comment-126</link>
		<dc:creator>Administrator</dc:creator>
		<pubDate>Tue, 05 Sep 2006 18:21:49 +0000</pubDate>
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		<description><![CDATA[VITAL WEEKLY 542

TV POW -  TV POW PRESENTS MICHAEL HARTMAN TODD A. CARTER BRENT GUTZEIT AS TV POW (CD by Southport)
TELEVISION POWER ELECTRIC 3 â€“ ARGIIINDAR (CD by Arteleku)
Now this is really something, subtle laptop pranksters TV Pow are back after some time away with a new album for Chicago jazz label Southport. And itâ€™s based mostly around the piano. A real one. For most of these tracks that means some unexpected prettiness, like a soft-focus AMM, interspersed with some delicate instrumentation. They each play the piano on different tracks, and the other ones are mainly credited for computer, but thereâ€™s nothing much digital to be found here. Itâ€™s all pretty serious quiet improv stuff. Things get started only on the last track, &quot;Sweating Just Sitting Hereâ€œ, on which there are no computers at all. Nor that ever-present piano that was so present in the first four tracks. The natural drones &amp; scenes created by organs, bells, shakers and some other traditional instruments sounds like fellow Chicagoans/friends Town &amp; Country recording for Erstwhile Records. Not a bad thing at all.
Television Power Electric is a name used for when the three TV Pow boys end up recording some stuff with other people, who are different for each recording. This time itâ€™s Xabier Erkizia and Inigo Telletxea, two musicians from Spain where this was also recorded in Bera, october 2004. This stays much closer to home, with some typical digital short-circuit drone storytelling, even when the piano (though this time probably not the grand sort that they had in Chicago) pops up again at the end. Itâ€™s nice to hear this in connection with the Southport disc, as a sort of analog/digital differentiation of how this group approaches improv tactics. Personally, I got more excited by this disc then the piano-driven endeavor, but both show two great sides of one of the longest standing laptop ensembles. (RM)
Address: http://www.chicagosound.com
Address: http://blogs.arteleku.net]]></description>
		<content:encoded><![CDATA[<p>VITAL WEEKLY 542</p>
<p>TV POW &#8211;  TV POW PRESENTS MICHAEL HARTMAN TODD A. CARTER BRENT GUTZEIT AS TV POW (CD by Southport)<br />
TELEVISION POWER ELECTRIC 3 â€“ ARGIIINDAR (CD by Arteleku)<br />
Now this is really something, subtle laptop pranksters TV Pow are back after some time away with a new album for Chicago jazz label Southport. And itâ€™s based mostly around the piano. A real one. For most of these tracks that means some unexpected prettiness, like a soft-focus AMM, interspersed with some delicate instrumentation. They each play the piano on different tracks, and the other ones are mainly credited for computer, but thereâ€™s nothing much digital to be found here. Itâ€™s all pretty serious quiet improv stuff. Things get started only on the last track, &#8220;Sweating Just Sitting Hereâ€œ, on which there are no computers at all. Nor that ever-present piano that was so present in the first four tracks. The natural drones &#038; scenes created by organs, bells, shakers and some other traditional instruments sounds like fellow Chicagoans/friends Town &#038; Country recording for Erstwhile Records. Not a bad thing at all.<br />
Television Power Electric is a name used for when the three TV Pow boys end up recording some stuff with other people, who are different for each recording. This time itâ€™s Xabier Erkizia and Inigo Telletxea, two musicians from Spain where this was also recorded in Bera, october 2004. This stays much closer to home, with some typical digital short-circuit drone storytelling, even when the piano (though this time probably not the grand sort that they had in Chicago) pops up again at the end. Itâ€™s nice to hear this in connection with the Southport disc, as a sort of analog/digital differentiation of how this group approaches improv tactics. Personally, I got more excited by this disc then the piano-driven endeavor, but both show two great sides of one of the longest standing laptop ensembles. (RM)<br />
Address: <a href="http://www.chicagosound.com" rel="nofollow">http://www.chicagosound.com</a><br />
Address: <a href="http://blogs.arteleku.net" rel="nofollow">http://blogs.arteleku.net</a></p>
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