Archive for the ‘Noticias’ Category


miércoles, abril 13th, 2011


Un año y medio mas tarde de la publicación del libro NOISE & CAPITALISM AUDIOLAB presenta la versión en español del mismo libro: RUIDO Y CAPITALISMO. Esta publicación nacida con la intención de analizar las intersecciones, fisuras y relaciones entre el ruido, la música, la economía, la política y la filosofía esta formada por sendos ensayos de varios escritores, periodistas, músicos y pensadores de varios paises, entre los que se encuentran: Csaba Toth, Eddie Prévost, Ray Brassier, Bruce Russell, Nina Power, Ben Watson, Matthew Hyland, Matthieu Saladin, Howard Slater y finalmente Anthony Iles y Mattin, que además de incluir textos propios han realizado las labores de editores.
Existen dos modos de conseguir el libro: El primero, directamente por descarga gratuita en internet ( y el segundo en edición física de papel, realizando un pedido a Arteleku. Si prefieres esta edición, no tendrás que realizar ningún reembolso de dinero, ya que se distribuirá principalmente, tal y como ocurrió con la versión original, mediante intercambio. Por tanto, si quieres recibir una copia de libro, mándanos algo que represente tu actividad creativa (textos, libros, música…) para que quede en la colección pública de la mediateca de Arteleku o comprometete a escribir algún comentario del libro, y recibirás una copia en tu casa.


viernes, febrero 26th, 2010

Paralelamente a nuestro sistema de intercambio, se puede encontrar y comprar el libro Noise & Capitalism en algunos (siempre) recomendados catálogos de distribuidores de música:

Metamkine (fr)
Tochnit Aleph (de)
Arto artian (eus)

Against an Aesthetics of Noise

lunes, febrero 1st, 2010

Interesante entrevista con Ray Brassier (en inglés):

MIREN ERASO (1960-2009)

sábado, diciembre 19th, 2009

Dificil, muy dificil resulta escribir noticias como estas, dificil, triste e incómodo.
Miren Eraso, editora del magazine ZEHAR desde 1995, responsable del centro de documentación de Arteleku,  directora de contenidos del mismo centro durante 2007-08 y entre otras muchas cosas una de las impulsadoras de la publicación del libro Noise & Capitalism (ella co-fundó en 2008 la serie KRITIKA), falleció ayer.
Será dificil no acordarnos con ella.
Desde aquí mandamos un sentido y cálido abrazo a su familia.

CONVOCATORIA: Noise conference

miércoles, diciembre 16th, 2009

“Bigger than Words, Wider than Pictures”: Noise, Affect, Politics

“Bigger than Words, Wider than Pictures”: Noise, Affect, Politics

University of Salford and Islington Mill, July 1-3 2010
Organising Committee:
Dr Michael Goddard, Dr Benjamin Halligan and Professor David Sanjek

“If there are people that are dumb enough to use Metallica to interrogate prisoners, you’re forgetting about all the music that’s to the left of us. I can name 30 Norwegian death metal bands that would make Metallica sound like Simon and Garfunkel.” – Lars Ulrich

“… this music can put a human being in a trance like state and deprive it of the sneaking feeling of existing, ‘cos music is bigger than words and wider than pictures… if the stars had a sound it would sound like this.” – Mogwai, “Yes! I Am a Long Way from Home”

Noise Annoys. Is it not a banal fact of modern, urban existence that one person’s preferred sonic environment is another’s irritating, unwelcome noise – whether in the high-rise apartment, on public transport or the street, or almost anywhere else? The contingent soundscape of jack-hammers and pneumatic drills, mobile phone chatter, car sirens and alarms, sound leakage from nightclubs and bars and – moving into the suburbs – lawn-mowers and amateur renovation projects, neighbouring kids and dogs, represents a near-constant aural assault. As a pollutant, noise can legally attain noxious levels; it is both potentially biologically harmful and psychologically detrimental.

But what exactly is noise and what conditions these relative thresholds in which sound crosses over into noise? Or are these more organised and polite sonic phenomena merely varieties of noise that have been tamed and civilised, and yet still contain kernels of the chaotic, anomalous disturbance of primordial noise? As a radical free agent, how is noise channelled, neutralised or enhanced in emergent cityscapes? As a consumable, how is noise – or lack of noise – commodified?

Such questions are particularly applicable to contemporary forms of music which, based as they are on a variety of noise-making technical machines, necessarily exist in the interface between chaotic, unpredictable noise and the organised and blended sounds of music and speech. Does modern noise seek to lead us to new, post-secular inscapes (as with psychedelia and shoegazer), or defy the lulling noisescapes of processed background muzak with punitive blasts of disorientating, disorderly noise? And why the cult of noise – in term of both volume and dissonance – in which low cultural practices (metal, moshing) meet those of the avant-garde (atonalism, transcendentalism)?

This conference seeks to address the contemporary phenomenon of noise in all its dimensions: cultural, political, territorial, philosophical, physiological, subversive and military, and as anomalous to sound, speech, musicality and information. Possible topics include but are not limited to:

* Psychedelic and Neo-Psychedelic Musics
* Punk and Post-Punk Musics
* Experimental Musics from Avant-Classical to Digital Noise / Raw Data
* Industrial Musics and Cultures
* Krautrock and German Noise
* Shoegazer, Nu-Gaze and Post-Rock
* Noise as Cultural Anomaly
* Noise, Chaos and Order
* Noise and architectural planning
* Noise and digital compression
* Noise Scenes from No Wave to Japan-Noise
* Noise and electronic music pioneers (Delia Derbyshire, Varèse, Stockhausen)
* Noise and Territory
* Sonic Warfare
* Noise and Urban Environments / “Noise pollution”
* Noise and Subjectivation
* Sonic Ecologies
* “White Noise”
* Noise and Political Subversion
* Noise and hearing impairment / deafness
* Psychic / silent noise
* Noise and mixing, particularly in nightclub environments
* Noise in Cinema, Video and Sound Art
* Noise, Appropriation and Recombination
* Noise and Affect

The conference will be organised by the Centre for Communication, Cultural and Media Studies at the University of Salford in cooperation with Islington Mill, Salford and will take place from the 1-3rd of July and will include both an academic conference and noise gigs featuring amongst other groups, The Telescopes and Factory Star and other special guests tbc. Confirmed keynote speakers include rock historian Clinton Heylin, author of From the Velvets to the Voidoids and numerous other works on (post)punk and popular music, Stephen Lawrie of The Telescopes, and Paul Hegarty, author of the recent Noise/Music.

In addition to conventional papers, noise, sound and video art proposals are also welcome.

To participate in the conference please send a 400 word abstract and biographical note to Michael Goddard, and Benjamin Halligan, by 28 February 2010.

CONVOCATORIA: (2010) – Noise & Capitalism

miércoles, diciembre 9th, 2009

Acabamos de saber de esta convocatoria abierta para artistas iniciativa de a thousand plateaus. Toda la información sobre como participar aqui.


Artists, musicians, filmmakers and performers are invited to submit proposals for work in response to the theme ‘noise & capitalism’ for presentation as part of the next 1000 Plateaus.

On Saturday 30th January 2010 audiovisual arts collective Kino-Kult are taking over Havant Arts Centre and hosting a digital potlatch ( celebrating audiovisual arts and culture in the region. The event is an open platform to which artists working across a range of mediums are invited to contribute.

Anyone can submit an artwork for this event but you must address the theme “NOISE & CAPITALISM”:
You may be working with digital media, audiovisual installation, site specific, kinetic sculpture, digital photography, live art, performance, music, theatre and related arts.

You may be a youth arts group, a loose collective, solo performer, student, professional it really doesn’t matter.
It can be a work in progress, an existing piece or something you have developed specifically for the event.
There are no rules though you should be prepared to work collaboratively with the other artists involved in staging the event.

Kino-Kult will curate the event and provide stage management, technical services and event marketing. Where possible we will provide technical support, equipment and materials to support you. However the budget is extremely limited and you should be able to provide whatever specialist materials or resources you need to stage or exhibit your artwork.

The following spaces will be available for artists to work in:
- Café/Foyer (multi-projector live performance ambient café culture)
- Theatre/Cinema (live performance and artists films)
- Downstairs Studio (gallery performance installation)
- Upstairs Studio (gallery performance installation)
- Courtyard (performance installation)
- Corridors, lavatories and other miscellaneous spaces (imagination)

Proposal submission forms will be available on the 1000 Plateaus website. Look for the group and you will find all the information you need. If you have questions or want to find out more information contact us via the website

Venue Location (no point in contacting the venue for info they will just send you to the website).
Spring Arts Centre, 56 East St, Havant, PO9 1BS, 023 92472700