Extensiva y analítica crítica escrita por David Grundy para el nº5 de la (recomendable) revista digital EARTRIP. Gracias!!*
[http://eartripmagazine.wordpress.com/]

This is fantastic stuff. Of course, there is a smallish swarm of intellectual activity surrounding the sort of issues discovered here, but  more often than not it centres on jazz and American practices.
Consequently, discussions tend to get sidelined into the race issue – an issue which is crucial for the development of that music, but which can impose a narrowing of focus when one considers that much noise and free improvisation is created by non-African Americans who are not living in the particular historical context of a racially-oppressive society (though of course one with its own deep networks of imperialism, alienation, &c.). Serious intellectual examination of music, as practiced by some of the journalists from Wire magazine, may also find itself restricted by the necessity of providing a review of a product (whether a live performance or an album) which evaluates that product on aesthetic grounds first and foremost – and whose audience may resist the presence of critical theory: too much politics for them to swallow, an ‘irrelevance’, intruding on their desire for a generalised ‘underground’ freedom to enjoy their niche of generalised musical resistance to the ‘mainstream’ (represented by such easy-target bogeymen as George Bush and…um, Britney Spears).

DOWNLOAD AND READ THE REST OF THE REVIEW (pdf)
DOWNLOAD AND READ EARTRIP#5 MAGAZINE (pdf)

Noise and Capitalism Edited by Mattin and Anthony Iles -

There is always an irony about collections that assail capitalism for recycling popular culture for its own ends, when both radicals and academics do the same with ideas they respect (yes, more Derrida, Deleuze, Adorno? And hey, remember in May ’68 when…zzzzzz..?) However, as it becomes more apparent that late Capitalism has proven the adage that Pop Will Eat Itself with the squalid addendum that we are also fodder for that mash-up, new voices from the Left and Right are needed to even get the possibilities of alternatives out to the public. It may be a cul de sac to be rebuking a system that one benefits from, either from the tenure system, the internet, etc., but we are all users of what keeps us trapped, and maybe we can use it to shout out ideas rather than shout at each other with no point.

Noise & Capitalism is a thought provoking, blunt, often maddening collection of essays about the commodity of music, and whether or not Noise represents that which escapes being commodified, or is merely the next rebellion against Corporatism to wait in line to be turned into background music for tampon ads. (more…)

Paralelamente a nuestro sistema de intercambio, se puede encontrar y comprar el libro Noise & Capitalism en algunos (siempre) recomendados catálogos de distribuidores de música:

Metamkine (fr)
Tochnit Aleph (de)
Arto artian (eus)