MRB | AMM

POPETIK ARTZERA

Lunes 18 de Outubro, Fundación Luis Seoane, A Coruña. 20:30h, Entrada Libre.
Tim Olive nació en Canadá y comenzó en la música tocando el bajo eléctrico a los 12 años interesado por el heavy metal. Posteriormente seguiría por otros caminos, conociendo el free jazz, la música electrónica/concreta y la música asiática. Aplicó todo esto a las limitaciones del rock y poco a poco fueron surgiendo formas abstractas a través de la improvisación.

Alfredo Costa Monteiro acabó sus estudios de Escultura y Multimedia con Christian Boltanski en el año 1992 en la Escuela de Bellas Artes de París, iniciando una carrera en la que destaca su interés por la poesía sonora/visual y el sonido. Juntos, estos dos inquietos creadores exploran las relaciones entre sus diferentes campos abriendo el espectro a la improvisación pura y los límites del sonido tal y como lo entendemos. En Enero del 2011, en el sello griego Triple Bath, saldrá su primera referencia discográfica, 33 Bays.

Hola a todos.
Me gustaría comentaros que he creador en un sello discográfico llamado Heresy enfocado en editar mis trabajos con composiciones desde un punto de vista herético.
La primera rederencia es una interpretación de Michael Pisaro, de su composición Within (3.2).

Es una edición limitada de 100 copias si estais interesados en conseguir una por favor mandarme un e-mail a miguel arroba taumaturgia punto com el coste es de 12€ con gastos de envío.

o dirigiros a alguno de los distribuidores:

Metamkine – Europa
ErstDisc -U.S.A
Improvised Music From Japan – Asia

Os dejo aquí las notas del disco que ha escrito Michael:

“within (3)” was originally for a classical guitar – and featured, as its basic sound, a tone lightly played on one of the treble strings, and repeated up to from 1 to 8 times, at a rate of one tone per 10 seconds. A tone would almost die away before the next was struck. When played in the Zionskirche in Berlin (where it was premiered) it was like one tiny point in a world of sound.
In Miguel Prado’s version for electric guitar, the tones are played on the bass strings and are given a heavy, extremely rich and variable distortion. We discussed the fact that the sounds were thus much longer and came to the conclusion that the best way to record the piece was to layer the repetitions on top of each other, so that each tone could take as long as it needed to fade. The result is a complex harmonic web unforeseen in the original – new enough that I’ve decided that the best title for this work is “within (3.2)”.
The piece is structured into 6 sections of 10 minutes each, with a pause between them.
“within (3.1)” published by Edition Wandelweiser in 1997.
“within (3.2)” published by Edition Wandelweiser in 2010.
Michael Pisaro
Miguel Prado: electric guitar

más información

Noise & Capitalism

Exhibition as Concert

September 1 – October 31 / 2010

CAC Brétigny

Centre d’art contemporain de Brétigny
Espace Jules Verne, Rue Henri Douard
91220 Brétigny s/Orge
France
tel (33) 01 60 85 20 76
fax (33) 01 60 85 20 90
info@cacbretigny.com
35min. From Paris by RER Train

Mattin in collaboration with Loïc Blairon, Ray Brassier,
Emma Hedditch, Esther Ferrer, Jean-Luc Guionnet, Anthony
Iles, Matthieu Saladin, Howard Slater…

Taking as a starting point the book Noise & Capitalism and the desire to explore noise and improvisation in social and political terms, the CAC exhibition context will become an improvised concert lasting for two months. Going through different degrees of intensity, nothing will remain static; the production and reception will take place simultaneously. By collapsing the formats of exhibition and concert into each other, the potential of the different usages of the noun noise will be explored rather than simply perpetuating noise as a musical genre. Playing with different levels of visibility and invisibility, some activities will be more formal than others. Interventions by different people will take different forms, such as an improvised zine, a continuously generated performance program, an open invitation to improvise with the material conditions of the exhibition… .

Historically, noise – in its many forms – has disrupted established codes, orders, discourses, habits and expectations, aesthetics and moralities. Noise has the potential to exceed the logic of framing, by either being too much, too complex, too dense and difficult to decode or too chaotic to be measured. At first encounter noise has the power to suspend values of judgement such as good or bad or right or wrong. To think of it in moral or ethical terms seems ridiculous. Noise, with its epistemic violence, brings into crisis the division between activity and passivity, and between knowing and feeling. By making us aware of our incapacity to decipher it, noise can expose to us our alienated condition, making us question our own subject position.

Can the practice of noise and improvisation help us in any way to understand or even counter the level of commodification that our lives have reached under the capitalist mode of production? Can we use noise as a form of praxis going beyond established audience/performer relationships? Can we push self-reflexivity to the point of positive feedback?

Agenda

19 September, Sunday at 2pm (shuttle from Paris)

Ray Brassier, Jean-Luc Guionnet & Mattin

Idioms & Idiots

25 September Saturday at 11am (shuttle from Paris)

Esther Ferrer

Zaj concert

2 October Saturday at 2pm (shuttle from Paris)

Loïc Blairon

Barred Speach

From 4th October 2pm until 10th October 6pm:

Open invitation to improvise with the exhibition as concert. The material conditions (times, budget, space…) are our instruments, from there anything can happen.
Everybody is welcome.

21 October Thursday at 8pm (shuttle from Paris)

Matthieu Saladin & Mattin

Brutalised Aesthetics

26 October at 8pm (shuttle from Paris)

Mattin

Object of Thought

Shuttle time location and reservation: info@cacbretigny.com

For more interventions please check:

http://www.cacbretigny.com/

http://blogs.arteleku.net/noise_capitalism/

CAC Bretigny in collaboration with Taumaturgia (A Coruña) will publish the book Unconsituted Praxis, collecting most of Mattin’s writing.

CLUB LE LARRASKITO
VIERNES 2 DE JULIO DE 2010

STOP
final de temporada

con

LA MOMIA INVISIBLE ( Jorge Nuñez+Conbo Sekreo, Santurtzi+Bilbo, cortometraje+improvisación libre, www.fotolog.com/fuerzavital )
+
OIER I.A. ( Errenteria, electrónica, www.xedh.org/larraskito/spip.php?article61 )
+
INAZIO ESCUDERO ( Deusto, video+performance, musac.es/index.php?ref=24800 )
+
JANA JAN ( Itziar Markiegi, Nabarra, electrónica, www.myspace.com/anorexiamentala )
+
COPIO TODO ( Rosa Parma, Bilbo, camisetas, riotflesh.wordpress.com )

sera el
VIERNES 2 DE JULIO DE 2010
en
CLUB LE LARRASKITO (Carretera Rekalde-Larraskitu 33, 4º, Bilbao)
a partir de las 20:00PM

ENTRADA POR 5€

diseño de cartel por Raúl Dominguez

______________________________
Recuerda que te puedes bajar música de estos y otros artistas en
www.xedh.org/larraskito
y
www.xedh.org/doministiku