Diskoak argitaratzea ia-ia erresistentzia ariketa bihurtzen ari den garaiotan, oraindik jaiotzen dira disketxe berriak, edo argitalpen egitasmo berriak. Horietako bat izan nahi du NUENI RECS zigiluak. Drone, ambient eta field recording lanak ez diren beste musika esperimentalei eskainitako egitasmo hau edizio fisikoak nahiz digitalak argitaratzeko asmoarekin jaio da, anti-copyright filosofia besapean hartuta eta Hector Rey gidari duela. Zure lana irizpide horien barruan kabitzen dela uste baduzu, bidali zure lana, Nuenirecs entzuteko prest dago-eta.

Cuando publicar discos se ha convertido casi en un ejercicio de resistencia, todavía nacen nuevos sellos discográficos, o proyectos editoriales dirigidos a la música. NUENI RECS es uno de ellos. Este proyecto nace con el objetivo de publicar ediciones físicas como digitales de músicas experimentales, que no esten dentro de los estilos Drone, ambient o field recording, con la filosofía anti-copyright como bandera y a Hector Rey al timón. Si piensas que tu trabajo entra dentro de estos criterios, manda tus trabajos, Nueni Recs se presta a escucharlos.

THE WIRE aldizkarian irakurri dugu, bi hilabetetan Alan Lomax soinu grabatzaile aitzindariaren artxibo osoa online entzuteko modua egonen dela. Egun, berak egindako 15.000 grabaketen zatitxoak entzun daitezke sarean, baina martxoan zatitxoak grabaketa oso bihurtuko dira. Entzuteko artxiboek Lomax beraren oharrak, informazioak, kokapenak eta datak ere eskainiko dituzte.
Egitasmo hau Global Jukebox disketxearen proposamena da. Disketxe hau Association for Cultural Equity elkartearena da, eta hain zuzen elkarte hau da Lomaxen artxibo osoaren dijitalizazio lana egiten ari den berbera.
Jakina den bezala Lomax Euskal herrian izan zen 1952an eta haren ondorioz argitaratu ziren bizpairu disko. bata Gipuzkoa eta Bizkaian grabatua, bertzea soilik Nafarroan, eta Aragoiko diskoan ere euskal herriko hainbat erreferentzia zahar topa daiteke, adibidez ttunttuna eta txirula Aragoian jotzen zirenekoa.

Lehenago aipatu Alex Mendizabali egindako elkarrizketaz gain, gaurko BERRIAk artikulu bat baino gehiago dakar, zuzenean edo zeharka soinuari buruz mintzatzen dena, alor eta ikuspegi ezberdinetatik. Merezi du, tarte bat hartu eta irakurtzeak, halako egunkari sonoroan… :

- Saguzaharrak eta ultrasoinuak A.Garciak Juan Tomas Alcalde biologoari elkarrizketa
- Megaupload eta FBI Xabi Erkiziak
- Metroo eta ahozko memoria Irene Arrizurrietak
- Korden teoria Bilbon
- Santa Ageda heldu da

«Musika ez da entzuten dena soilik, entzuten ez dena ere izan daiteke musika»

Alex Mendizabal,
GAUR otsailaren 2an, BERRIA egunkarian elkarrizketatua

Gaur bertan urtarrilaren 17an ospatzen da Art’s Birthday ospakizuna. Besta berezi hau Robert Filliou fluxus artistak proposatu zuen 1963an eta geroztik urtero ospatzen da han-hemenka, ez beharbada egunero kontatzen dizkiguten nazioarteko egun ofizialak bezala, baizik modu librean, ia anarkikoan. Vienako Kunstradiok bere aldetik ospakizunekin bat egitea erabaki zuen orain urte batzuk eta bidenabar Europako hainbat irrati ere lotu zituen. Hala, urtero Europako irrati nagusi aunitzek egiten dute bat artearen urteurrenarekin. Eta aurten, RNEren gonbidapenari erantzunez Soinumapa.net-eko grabaketak entzungo dira besta horretan (ikus beherago). Emanaldia GAUR URTARRILAREN 17an ARRATSALDEKO 20:10etan. irakurri RNEren prentsa oharra.

19:10 – 19:30 [gmt] RNE

Litoral (Seaboard)

(soundscapes-radio mix by José Manuel Costa and Ana Vega Toscano)
Spain is still a land with some unspoiled spaces and wild coasts. Maybe that’s the reason why a generation of field recorders has been extremely active in the last decade, generating complex sound maps of several regions or releasing a very appreciable corpus of soundscapes,. For this Art’s Birthday we propose a travel along the coasts of Spain, beginning in the north and along the shores of the Cantabrico, de Atlantic Ocean, the Gibraltar Strait and the Mediterranean Sea , in Valencia and Cataluña. This travel in 20 minutes has been realized through the Radio Clásica program Vía Límite, by José Manuel Costa, with material provided by Xabier Erkizia, Juanjo Palacios, Carlos Suárez, Chinowsky Garachana, Edu Comelles and José Manuel Berenguer.

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Biographies:

Xabier Erkizia ( Golfo de Vizcaya)
The work of artist Xabier Erkizia is based on the search and in-depth exploration of different directions in music and sound. His installation formats, solo performances, group improvisations, and other projects combine different ideas, persons, sounds, materials and experiences. In addition to his work as an artist, he is a founding member of the ERTZ cultural association, director of the ERTZ international festival and director of the sound laboratory at the ARTELEKU contemporary art center in San Sebastian.

Juanjo Palacios (Asturias, Cantábrico)
Sound artist and phonograph recorder, Juanjo Palacios is a founding member of the Xizidium group and author of the blog “La escucha atenta”, dedicated to the phonography . In its sound projects, the digital precision merges with the acoustics of the sounds around us, creating imaginary soundscapes.

Carlos Suarez (Galicia, Atlántico)
Composer and ethnomusicologist. Master composer by the Conservatorio Superior de Música Simón Bolívar de Caracas. Ethnomusicologist  by FUNDEF. Ha has created more than 40 acoustic and electroacoustic Works. He has composed for dance, theatre, radio, video or installations.

Chinowsky Garachana (Andalucía, Estrecho)
Sound activist and audio-kinetic artist, co-founder of the collective El Sueño de Tesla, part of La Casa Invisible, whose central work is the archive, the production and the pedagogy around an Acoustic-Visual Culture, with special care for the social subjects through new forms of creation.

Edu Comelles (Valencia, Mediterráneo)
Graduated in Fine Arts, Edu Comelles works on sound composition since 2006. His works have been published by various netlabels. Comelles is also de curator of Audiotalaia Netlabel and he’s involved in different collective and individual projects involving sound composition and installations.

José Manuel Berenguer (Barcelona, Mediterráneo)
Director of the Chaos Orchestra and the Música 13 Festival, founder of Nau Côclea, member of the Bourges International Academy of Electroacoustic Music and Honorary President of the UNESCO International Music Council’s International Conference of Electroacoustic Music.

José Manuel Costa
Critic and curator in visual and acoustic arts. Founder and co-founder of several cultural magazines and of the Art Magazine of the daily ABC. National Price of the Critic. He is the director of the program Vía Límite in Radio Clásica.

Mikel Ugarte 1978-2011

“Intentsitatean arnasa sartzea bilatu dugu”
2007an Izaera taldearen azken diskoa aurkezten

www.opensound.eu

APO33 – Nantes – France – Coordinator
AntiTesi – Palermo – Italy – Partner
Piksel – Bergen – Norway – Partner
Granular – Lisbon – Portugal – Partner
Audiolab -Donostia-San Sebastian – Spain – Partner
ModusArts – London -England – Partner
N.K. – Berlin – Germany – Partner

The principle of exchange defines the Open Sound Project – between countries, partners and, of course, learning groups. It wants to break with polarities between teachers and learners, professional artists and passive audiences, choosing the concept of the “ignorant schoolmaster” for mutual learning, for a collective discovery of the sound world, understanding tools to produce sound and ideas to organize it in an artistic form. The Open Sound partnership will organize workshops, conferences and diffusion events, focusing on different aspects of the project, using a non-formal integrative approach, exchanging know-how and experience based on the specific situation of their respective countries.

Sound and Art Context:

Historically speaking, sound art, and auditory culture more generally, has been typified by interdisciplinary and experimental practices. While its long history is well established in many European countries, with countless exhibitions, seminars, conferences, radio broadcasts, album releases and workshops occurring over the last 40 years, the practice of listening remains obscure to many. Listening, unlike reading for example, is seldom taught and is often an unconscious activity. Compare the amount of time you spent being taught to read, write and understand mathematics to the time you have spent learning how to hear, to listen, or to speak. Open Sound focuses upon these later modes of perception and communication which we treat as complementary to the former, more usual learning activities.

A key motivation for this project is the consolidation and expansion of pre-existing relationships (informal networks of practitioners, administrators, educators and learner). We are keen to capture the knowledge embodied in our respective work and to share this with a broader range of users. Documentation, archivisation and distribution of learning outcomes is of paramount importance in achieving these goals, and several of the partners have a great deal of experience in this.

Egunotan SOINUMAPA.NET webgunearen eguneraketa lan garrantzitsu bat egiten ari gara. Beraz, baliteke momentu jakin batzuetan webgunean behar bezala ez funtzionatzea. Astea bukatu baino lehen bertsio berria ehuneko ehunean martxan egongo da. Bitartean, barkatu eragozpenak. Emaitzak merezi duelakoan gaude. Milesker.

Durante estos días estamos realizando una importante actualización de la web SOINUMAPA.NET. Por tanto, puede ser que en algunos momentos la web no funciones como debería. La web estará operativa al 100% antes de que acabe la semana. Mientras tanto, perdonad las molestías, esperamos que el resultado bien merece un pequeño parón. Muchas gracias.